Paradoxalement, Rachel Zegler ressemble bien plus à la Katniss Everdeen que j'imaginais en lisant les romans, comparée à Jennifer Lawrence. Je suis curieux de découvrir sa Lucy Gray.
Oui, je dis mille fois oui !! La cinématographie me paraît déjà très belle, les décors riches...c'est plaisant à regarder. Il semble y avoir du budget et des moyens derrière. Le casting est au top (Rachel Zegler, Peter Dinklage, Viola Davis). Le Président Snow est assurément le personnage le plus intriguant de cet univers, je suis plus qu'impatiente de découvrir son passé.
La saga Hunger Games se pose clairement comme dans le haut du panier du genre dystopique pour adolescents/ jeunes adultes. J'ai toujours trouvé l'univers bien fichu, intéressant...avec bien entendu ses propres limites. Il a le mérite d'aborder des thèmes très sérieux de manière intelligente. Je me souviens avoir lu un commentaire qui disait que Suzanne Collins a pondu une trilogie qui a marqué à jamais une génération, s'est retirée et puis est revenue de manière totalement inattendue avec un nouveau livre dont la réception fut très bonne. C'est une autrice très discrète mais ô combien talentueuse. Merci, mille mercis, Madame Collins pour ce fantastique univers !
Oui, je dis mille fois oui !! La cinématographie me paraît déjà très belle, les décors riches...c'est plaisant à regarder. Il semble y avoir du budget et des moyens derrière. Le casting est au top (Rachel Zegler, Peter Dinklage, Viola Davis). Le Président Snow est assurément le personnage le plus intriguant de cet univers, je suis plus qu'impatiente de découvrir son passé.
La saga Hunger Games se pose clairement comme dans le haut du panier du genre dystopique pour adolescents/ jeunes adultes. J'ai toujours trouvé l'univers bien fichu, intéressant...avec bien entendu ses propres limites. Il a le mérite d'aborder des thèmes très sérieux de manière intelligente. Je me souviens avoir lu un commentaire qui disait que Suzanne Collins a pondu une trilogie qui a marqué à jamais une génération, s'est retirée et puis est revenue de manière totalement inattendue avec un nouveau livre dont la réception fut très bonne. C'est une autrice très discrète mais ô combien talentueuse. Merci, mille mercis, Madame Collins pour ce fantastique univers !
Au risque de te décevoir Suzanne Collins pour écrire Hunger Game à plagiet Battle Royal
The Hunger Games: The Ballad Of Songbirds And Snakes’ Lucy Gray Baird Is The ‘Opposite’ Of Katniss Everdeen, Says Director Francis Lawrence: ‘She’s A Performer’ – Exclusive Image
Ready to head back to Panem? Eight years after the last instalment graced the big screen – Mockingjay, Part Two in 2015 – a brand new The Hunger Games movie is on the way. This one is based on Suzanne Collins’ prequel novel, The Ballad Of Songbirds And Snakes, which is set over 60 years before Jennifer Lawrence’s Katniss Everdeen volunteered as tribute, and entered the arena to fight for her life. This new story focuses on the dictator who was enforcing those brutal Hunger Games, President Coriolanus Snow (played previously by Donald Sutherland, and now by Tom Blyth), back when he was a young man in the Capitol.
The franchise, both in book and movie form, was a huge success, but returning director Francis Lawrence (who helmed sequels Catching Fire and both _Mockingjay_s) still had a big concern at the front of his mind going into making the prequel. “Will people go see a new Hunger Games movie without Katniss?” he asks Empire, speaking to us exclusively for our brand new Dune: Part Two issue. It’s a good question, but one the new film has an answer for. Enter Rachel Zegler’s Lucy Gray Baird, a tribute from District 12 chosen to compete in the tenth annual Hunger Games, and to whom young Snow is assigned as a mentor. She is the ‘anti-Katniss’, as Lawrence puts it. “Katniss was an introvert and a survivor,” he says. “She was quite quiet and stoic, you could almost say [she was] asexual. Lucy Gray is the opposite. She wears her sexuality on her sleeve, [and] she really is a performer.”
Where Katniss was a reluctant face of the rebellion, who had to be forced to put on a smile on camera, and keep her fake-turned-real love story with Peeta (Josh Hutcherson) convincing so as to get the public on her side, Lucy Gray relishes the spotlight. Where Katniss was deadly with a bow, Lucy Gray uses her wiles as a weapon. “She loves crowds,” says Lawrence. “She knows how to play crowds and manipulate people.” May the odds be ever in her favour.
Pas ouf... ils ont abusé avec le photoshop je trouve... Rachel et Hunter on a du mal à les reconnaitre J'adore l'univers Hunger Games autant dire que j'attends ce film avec impatience mais j'ai un mauvais pressentiment je ne sais pas pourquoi! J'ai peur du flop et d'être déçu! J'ai lu le livre et il m'a beaucoup plu... Dommage qu'ils n'aient pas fait une affiche avec Clemensia qui est personnage que j'apprécié particulièrement! Curieux de voir Peter Dinklage dans le rôle du doyen de l'Academie...
Visuellement c'est du lourd hâte de voir le film... Par contre on voit beaucoup trop Snow & Lucy j'espère que dans le film ça sera différent... Où sont les autres tributs??? les autres mentors?? même dans la campagne promotionnelle ils semblent être délaissés c'est dommage! Ah et Clemmie est magnifique Attention spoiler du livre
Spoiler:
Hâte de la voir se "transformer" en serpent suite à la morsure qu'elle a subie à cause de Snow!
Game on: How The Ballad of Songbirds and Snakes brings young Coriolanus Snow to life in Hunger Games prequel
Franchise director Francis Lawrence and producer Nina Jacobson take us back to Panem in an ambitious new film starring Rachel Zegler as a different District 12 tribute.
Francis Lawrence felt like the odds were in his favor.
The director was in the middle of casting his adaptation of Suzanne Collins' Hunger Games prequel The Ballad of Songbirds and Snakes, and a London lunch meeting with West Side Story standout Rachel Zegler had just effortlessly evolved into a four-hour conversation. Lawrence walked away from that Soho meal last spring confident his top choice was eager to play heroine Lucy Gray Baird. Then she turned down the job.
The chance to work on the origin story of President Coriolanus Snow was appealing to Zegler, but she'd just gone through a precautionary COVID-19 quarantine by her lonesome in the U.K. to star in Disney's live-action Snow White, and that shoot was scheduled to wrap just three days before Songbirds and Snakes would begin. "The idea of going from six months in London to go deeper into Europe — into Poland — for another six months of her life freaked her out," Lawrence, 52, recalls a year later on a balmy late September afternoon in his office, a cozy refashioned one-story home tucked an arrow's shot away from Hollywood's Chateau Marmont. "She went ghostly white." He made promises ("We'll bring your boyfriend out!" "We'll bring your family out!" "We won't quarantine you!"), but the now 22-year-old was undeterred — until the summer of 2022 when it came time to cast Coriolanus' pal and classmate Sejanus Plinth.
After a galvanizing audition, Lawrence selected Josh Andrés Rivera, 28, for the wayward Academy pupil. "My assistant was like, 'Do you know who that is?' And I go, 'Yeah. He was in West Side Story,'" Lawrence recalls saying of the actor, who played Chino alongside Zegler in Steven Spielberg's 2021 remake. "She says, 'That's Rachel's boyfriend.'" Were the odds truly in his favor? The filmmaker thought to himself, Zegler "was almost at the end of her schedule. I bet she's seen the light at the end of the tunnel. Her boyfriend's going to be in Poland with us. I wonder if we're going to get a call."
They did — the next day.
And so Songbirds and Snakes had its leading lady. It may seem a daunting task to tell a new Hunger Games story without the other Lawrence, Oscar-winning actress Jennifer Lawrence, who propelled the blockbusters to well over $1 billion worldwide. But the director — who helmed the three Hunger Games sequels after Gary Ross' original — and franchise producer Nina Jacobson were actually entertaining the idea of exploring the origins of the survival-of-the-fittest games long before Collins produced her 2020 prequel novel, which introduced a younger version of the sinister President of Panem (played by Donald Sutherland in the first four films).
Lawrence admits he and Jacobson were "concerned" about centering a story around a reviled character, but the team continued to circle back to the singular and paramount truth that lives in the undercurrent of many villain origin stories: Bad guys don't start out as bad guys. It's that switch, that how and why, that they knew makes for rich and complex storytelling. It helped, too, that the creative team could not have found a more compelling snake to Zegler's songbird than Tom Blyth, the 28-year-old English actor best known for his roles on the TV Western Billy the Kid and coming-of-age film Scott and Sid. "Tom is extraordinary as the turn happens," Jacobson, 58, says of the leading man. "As he starts to break bad, as you start to see the man that he becomes breaking out of the shell of the man that he might've been, it's incredibly gratifying."
The new lethal lovers Set 60 years before the Girl on Fire sparked a revolution, The Ballad of Songbirds and Snakes (or BOSS, for short) follows the 18-year-old future tyrant (Blyth) during his final year at the Academy, the elite secondary school in Panem's Capitol. Unbeknownst to his peers, the Snows — also comprised of cousin Tigris (Euphoria's Hunter Schafer) and their grandma'am (Fionnula Flanagan) — have fallen on hard financial times following the first civil war the districts waged against the Capitol. It's Reaping Day for the 10th annual Hunger Games, a televised spectacle wherein district children are forced to fight to the death as punishment for the insurrection, and Coriolanus has his eyes on the Plinth Prize. The cash reward, bestowed upon the mentor whose tribute emerges victorious, would all but secure his spot at the Capitol's university. Much to his displeasure, he's assigned to mentor Lucy Gray Baird, the female tribute from District 12, a region not exactly known for producing the cream of the crop.
But Lucy Gray is a member of the Covey, a group of musical nomads, and when she captures Panem's attention with a song at the Reaping, Coriolanus realizes he's got a wildcard on his hands — and that they just might have a shot at winning. It's the mentors' job to turn their tributes into spectacles amidst declining viewership of the games, after all. And Coriolanus realizes something else as well, something Hunger Games fans may find familiar: Much like with Katniss Everdeen (J.Law) and Peeta Mellark (Josh Hutcherson), indifference soon gives way to love between Coriolanus and Lucy Gray against the brutal backdrop of the games. "[Katniss'] draw to Peeta is this shared trauma," the director observes. "You go through an experience together and feel more understood by that person than anybody else. It's the same here." With Coriolanus and Lucy Gray, "there's this mutual need," he adds. "He needs her to win and survive so he wins. She needs him to help her win and survive so she survives." But also, it's… complicated. "There's manipulation on both sides."
It was around the time that Zegler signed on that Blyth's audition tape rolled in and, as Lawrence puts it, "blew everybody out of the water." It certainly helped, too, that the Juilliard alum bears some resemblance to a young Sutherland. And his chemistry with Zegler sealed the deal. "It was like, 'Okay, we got it,'" Jacobson recalls of her future stars connecting over Zoom — one in London finishing Snow White and the other dialing in from New York — and Zegler serenading Blyth with an acapella version of Carter Family's "Wildwood Flower," a wistful folk ballad about love lost. "To see how much he couldn't take his eyes off of her — she stunned him in the way that Lucy stuns Snow." After all, "their first moment of connection is a performance," Jacobson notes, citing the songbird's Reaping showcase. "They both wear masks for different reasons. They connect when they decide to perform together [and watch each other] perform for the moment. Tom and Rachel were really very capable of making those shifts and doing them with each other."
The snake's den Lawrence really only had one note for his leading man: "I didn't want him to study early Donald Sutherland performances," he says. "I didn't want it to be mimicry in any way. I wanted him to play the part in the way that he would play the part."
Not yet fully corrupted by the world in which he lives, Coriolanus, like most young people, is still figuring out his life's path when BOSS begins. The student's virtues are shaped by those in his orbit, including Tigris, his closest confidant. She's certainly not the prized Capitol stylist we meet in Mockingjay Part 2 (brought to life in that film by Eugenie Bondurant). In the prequel, "she's trying to draw [her cousin] into goodness and keep him in goodness," Lawrence says of the character, now played by Schafer, 24, with an "endearing authenticity." (Though a number of actors read for the part, they were channeling Elizabeth Banks' Effie Trinket more than Tigris, putting on a "Capitol effect" that just felt "so phony," he laments.) Then there's Sejanus, Coriolanus' pal and a former district citizen who finds himself unraveling from the immorality of the games. "He's truly the most morally correct person in the movie, but there's a naivete to him that's unfortunate," Lawrence says. "He lacks the street smarts that somebody like Snow or Lucy Gray has, so he's constantly getting into trouble."
In stark contrast to these personalities are head gamemaker Volumnia Gaul (Viola Davis) and school dean Casca Highbottom (Peter Dinklage), who serve as adversaries to Coriolanus' virtues. With Volumnia, particularly, "we wanted to create a different kind of character, in terms of powerful women in these stories," Lawrence says. Whereas Julianne Moore's rebellion boss Alma Coin was a leader corrupted by power, Volumnia is a "strong believer in a very specific philosophy, and is grooming Snow in that direction," he says. It's important to note, too, that the filmmaker has never been one to view his antagonists as villains. "Even working with Donald playing Snow, a lot of people would say, 'He's villainous and evil.' But Donald and I never really thought of him that way," he explains. "I know, objectively, the character is. But these characters have to believe in their philosophies." Volumnia is resolute in hers: "She truly believes that at our core, humans are savage, and that's why we need the games. People need to be ruled with an iron fist."
"The twisted thing," he adds, "is that she finds joy and creativity in designing the games and making them more entertaining. So, she's truly the first real gamemaker to think outside the box." Casca, on the other hand, has ties to Coriolanus' father, a general who died during the war. They were once classmates who played a major role in the creation of the games, and Casca's contempt for the late Snow trickles down to his son. Lawrence hails Dinklage and Blyth's dynamic as some of his favorite scenes in the movie.
All these figures pull young Coriolanus in different directions, either "toward the darkness of Gaul's beliefs, toward the idealism of Sejanus' beliefs," or "toward the hope and warmth of Tigris' beliefs," Lawrence says. "Young people are always trying to find themselves, and what they find to be true about people and society."
And though we know how his story ends 60 years on, the director has full faith in audiences' appetite for a good villain origin story: "You look at the draw of stories like Macbeth and the downward spiral of that character, and you look at shows like Breaking Bad and the draw that [Bryan Cranston's Walter White] has, where you have a guy who has real problems and puts himself into a world and gets sucked further and further in until he really becomes a horrible person. They're just really appealing stories."
"He is going to break bad," adds Jacobson. "You know exactly what's going to happen. There's no mystery. But the fact is you still so much want him to break good. There's something about that tension and the way you can be at war inside yourself as you're reading the book and watching the movie."
Like the gamemakers and technicians in the control room modifying the arenas, "We were always modulating how much we feel like we can get people rooting for him," Lawrence says of working on BOSS. "Suzanne would always ask us, or anybody that read early versions [of her prequel novel], 'How long were you with him? How long were you rooting for him?' I always kind of rooted for him until the end. Other people had different spots where they said, 'This is where he went bad, now I'm not empathizing with this guy anymore.' So, it was really just figuring out how to navigate that in a way where we keep people rooting for him as long as possible, but still understand and buy into the turn into darkness."
The songbird and the show When Lucy Gray and her fellow tributes step into the games' arena (filmed at Centennial Hall, a historical and imposing dome located in the Polish city of Wrocław), the battleground stands in stark contrast to the ones fans know from the previous films. It's a post-war reconstruction era as Panem rebuilds, so there are no vast and highly controlled jungle terrains, no spinning islands with hostile waters enclosed by inconspicuous domes, no sleek hovercrafts to pluck lifeless bodies from the arena floor. It's also long before the era of Careers, haughty tributes from wealthier districts who've trained their entire lives for the games. The reaped children are just that: children; far from militant. And don't expect fancy tribute uniforms, as the contenders are thrown into the arena wearing the same clothes from when they were ripped from their homes. "There's a much more individualized feeling through all of them, and you get a stronger sense of personality," Lawrence says. "These are just normal people. Some happen to be strong and good at fighting, some can't even use their legs and are just crumpled on the ground crying." It's these elements that make that sequence harder to stomach.
But there's levity to the brutality in the form of this year's emcee, Lucretius "Lucky" Flickerman (Jason Schwartzman), an ancestor of Stanley Tucci's Caesar Flickerman. Schwartzman played a major role in the screen development of the zany showman, who wasn't nearly as fleshed out in the initial script. "There was a lot of riffing and crafting" in order to "make more of a meal" of the character, Lawrence says of working with Schwartzman, who referenced footage of vaudevillian magicians and news anchors from the '70s and '80s. "He probably did the most homework out of anybody." But, of course, "We always had the North Star of Stanley Tucci's performance, and knew that we wanted it to feel like this character was aiming at Stanley Tucci. You could feel the origins of the host and how it could inform two generations later."
The Flickerman bloodline is one of several callbacks to the original franchise, the most striking being the reintroduction of "The Hanging Tree." Katniss first sings the ballad in Mockingjay Part 1 while filming rebel propaganda to rally allies. It's revealed in the prequel that the song originates from Lucy Gray, who pens the haunting ballad after witnessing the execution described in the song.
Music, of course, plays a more prominent role in the prequel given the songbird's Covey background. To craft the ballads of the musical nomads, producer Dave Cobb and the creative team drew heavily from Appalachian-country folk music, while early Dolly Parton and Sissy Spacek's Loretta Lynn (from the 1980 musical-drama Coal Miner's Daughter) informed Lucy Gray's sound. (Collins, as it turns out, is a huge country music aficionado.) Zegler even sang all of Lucy Gray's musical numbers live throughout filming, which often made for rousing days on set. Lawrence recalls the West Side Story powerhouse reducing some of the crew to tears during one particularly grandiose musical moment in the arena: "It gave everybody chills."
Other callbacks were less intentional. At the Reaping, Lucy Gray concludes her song with a defiant curtsy, mirroring Katniss' gesture in the first Hunger Games after she shoots her arrow through an apple tucked in a roasted pig's mouth. The big moment is not in the book, nor was it even in the script. Lawrence and Zegler — both inspired by the idea that Lucy Gray's gesture became a widely told tale passed down through generations — decided to add the curtsy on the day of filming.
Then there's the wickedly apt inclusion of Sutherland's voiceover: "It's the things we love most that destroy us." Coriolanus says this to Katniss in Mockingjay Part 2 after Peeta and other captive victors are extracted from the Capitol, to forewarn of Peeta's brainwashing. The line also poignantly encapsulates Coriolanus and Lucy Gray's love story, which does not have the same happy ending as Katniss and Peeta. "I remember being blown away by it and how it perfectly fit the themes and mysteries of the movie that we were making," Lawrence says of the line, which was added to the BOSS trailer by the Lionsgate marketing team. In fact, he was so impressed by its relevance that he added it to the final cut of the film as well.
The future of Panem With the prequel hitting theaters in less than two months, Jacobson concedes there are anxieties about how BOSS will be received by Hunger Games fans devoted to the original films and their stars. ("Katniss is so hugely identified with the franchise, so a story that doesn't have her in it is always going to be a big step for an audience," she says.) But the producer is proud of the approach that was taken in choosing to move forward with the prequel, which was simply: "If we cannot get to a place where we feel we have a story that is worthy of the franchise, we just won't do it."
As for whether she'd return to Panem in the future, should Collins have more lore to tell, Jacobson offers a resounding "hell yes." "If she has something to say, I want to hear it," she declares, quickly noting that Collins has never been one to crank out a book for the sake of it. "Like Lucy says, 'I don't sing when I'm told to. I sing when I have something to say.' That's Suzanne," Jacobson explains. Lawrence shares the producer's sentiments. "If Suzanne has another thematic idea that she feels fits into the world of Panem — whether with new people or familiar characters — I'd be interested in being a part of it," he says. "But I don't have any pull of just going, like, 'I would love to do Finnick's games.' What are the thematic underpinnings that make it worth telling? The original ones were all about the consequences of war. [BOSS] is about the state of nature. That's what makes them feel rich — and why they've stood the test of time."
The Hunger Games: The Ballad of Songbirds and Snakes arrives in theaters Nov. 17.
Video interviews for this story were conducted prior to the start of the SAG-AFTRA strike.
Très jolie la couverture en mouvement d'Entertainment Weekly mais c'est encore Snow et Lucy... haha J'espère que Rachel Zegler ne va pas dénigrer la Trilogie Originale lors de l'avant-première J'aime pas du tout la voix française de Lucy Gray elle est bizarre je trouve Le film durera 2h37, ça sera le plus long de la Saga Hunger Games!
Suite à un accord avec la SAG-AFTRA, les acteurs d'Hunger Games pourront promouvoir le film.
Variety a écrit:
‘Hunger Games’ Prequel ‘The Ballad of Songbirds and Snakes’ Lands SAG-AFTRA Interim Agreement
Rachel Zegler and Tom Blyth can officially welcome fans back to Panem.
“The Hunger Games” prequel “The Ballad of Songbirds and Snakes” has received an interim agreement from SAG-AFTRA, which means that stars Zegler, Blyth, Viola Davis, Peter Dinklage and Hunter Schafer are allowed to promote the film before it premieres in theaters on Nov. 17.
It’s not clear why the agreement was granted so close to the film’s release date. But the late-breaking boost in publicity could be a huge help in getting people to go to the movies around Thanksgiving. “The Ballad of Songbirds and Snakes” cost $100 million to produce and represents a gamble because it’s the first installment in the billion-dollar franchise in eight years, and the first without Jennifer Lawrence.
Amid the ongoing actors’ strike, starry films that didn’t get interim agreements — such as Sony’s comedy “Dumb Money,” with Seth Rogen, Pete Davidson and America Ferrera — have struggled at the box office without splashy red carpets or late-night talk show appearances. Other big-budget properties, like “Dune: Part Two,” moved to 2024 because Timothée Chalamet and Zendaya wouldn’t be able to talk up the Warner Bros. sequel ahead of its initial November 2023 release date.
So far, more than 100 films including A24’s “Priscilla” and “The Iron Claw,” as well as Michael Mann’s racing drama “Ferrari,” have obtained interim agreements amid the SAG-AFTRA strike. To get an interim agreement, producers must operate independently from companies belonging to the Alliance of Motion Picture and Television Producers and agree to terms proposed by the guild in its negotiations. Since Lionsgate, which is backing “The Ballad of Songbirds and Snakes,” is not part of the AMPTP, its theatrical releases are eligible.
With the interim agreement in place, the cast is expected to attend the film’s premieres in Berlin and London, as well as a fan event in Los Angeles. Beyond press opportunities, the ensemble is free to post to the heavens about the prequel on social media where Zegler, for one, has more than 1.2 million followers (and the phrase “SAG-AFTRA Strong” in her Instagram bio).
Based on Suzanne Collins’ novel, the upcoming film takes place decades before Katniss Everdeen emerged as the Girl on Fire in “The Hunger Games.” The prequel story follows 18-year-old Coriolanus Snow (Blyth), who eventually becomes the tyrannical leader of the dystopia known as Panem. In “The Ballad of Songbirds and Snakes,” he’s chosen to be a mentor to the tribute Lucy Gray Baird (Zegler) during the 10th Hunger Games, a televised event in which teenagers are chosen via lottery to fight to the death.
Tom Blyth a écrit:
Very grateful that Lionsgate have stepped up today and signed @sagaftra ‘s Interim Agreement, demonstrating that our union’s demands are fair and equitable. Now I hope the AMPTP studios follow suit so we can get everyone back to work.
I love this movie and can’t wait to share it with the fans!
Rachel Zegler a écrit:
i am so beyond thankful to @lionsgate and @sagaftra for working so hard throughout this strike to come to an agreement, allowing us to participate in press and promotion for our film, which comes to theaters on november 17. lionsgate’s efforts are proof that studios, big and small, can meet us in a place of fairness for their films and the people who work so hard to make them.
making this movie was hands-down one of the best experiences of my life thus far. i cannot wait to share more behind-the-scenes content with you all, the fans, who make experiences like this eight million times better. there will be lots of all of my beautiful friends from the cast, as well as appreciation for our crew, which is filled with people i love so deeply. (so watch this space! there’s more to come.)
cannot believe i get to say this, with only a few weeks to spare, but… see you out there on our press tour!
Josh Rivera a écrit:
Thank you @lionsgate and @sagaftra for coming to an agreement and allowing us to promote our film! On November 17 come to the theater and watch me cosplay as a teenage boy!
La Bande Originale sera disponible le 17 novembre.
Liste des titres :
Olivia Rodrigo - Can’t Catch Me Now Rachel Zegler – The Hanging Tree Flatland Cavalry – Wool Rachel Zegler – Nothing You Can Take From Me Sierra Ferrell – The Garden Rachel Zegler – The Ballad of Lucy Gray Baird Molly Tuttle – Bury Me Beneath the Willow Rachel Zegler / James Newton Howard – The Old Therebefore / Singing at Snakes Bella White – Burn Me Once The Covey Band – District 12 Stomp Rachel Zegler, The Covey Band – Nothing You Can Take From Me (Boot-Stompin Version) Billy Strings – Cabin Song Rachel Zegler – Lucy Gray (part 1) Rachel Zegler, The Covey Band – Pure As The Driven Snow Charles Wesley Godwin – Winter’s Come & Gone Josie Hope Hall, The Covey Band – Keep On The Sunny Side Rachel Zegler – Lucy Gray (part 2)
Premier aperçu de la Bande Originale de composée par James Newton Howard :
Listes des titres :
1. The Dark Days 2. Anthem: Gem of Panem (Instrumental) 3. Coryo in the Capitol 4. Assigning the Mentors 5. Meet the Mentor 6. Gamemaker 7. Sejanus 8. Hunger is a Weapon 9. Strategy 10. Department of War 11. The Arena 12. Saving Snow 13. Ideas Firing 14. Happy Hunger Games 15. Mercy 16. Seize the Opportunity 17. Cut the Feed 18. Open the Gate 19. Powerful 20. Afraid of Water 21. Drone Attack 22. Inside the Duct 23. Under the Flag 24. Planting the Cloth 25. Rainbow of Destruction 26. Get Her Out 27. The Sound of Snow 28. Your Life Has Just Begun 29. You Are Safe 30. Trust is Everything 31. I Can't Stay Here 32. Cabin in the Rain 33. Lucy? 34. The Woods 35. Change of Plan 36. Passed the Tests 37. Snow Lands on Top 38. Friendship 39. Rue's Farewell 40. Victor
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