Les sous-titres du trailer confirment bien que les amis de Cruella sont Anita et un certain Artie.
Je viens juste de voir le message. Anita ce n'est pas logique. Si c'est un préquel du film de 1996, de un Anita est plus jeune que Cruella et de deux c'est son employée, rien dans le film ne semble montrer autre chose.
Les sous-titres du trailer confirment bien que les amis de Cruella sont Anita et un certain Artie.
Je viens juste de voir le message. Anita ce n'est pas logique. Si c'est un préquel du film de 1996, de un Anita est plus jeune que Cruella et de deux c'est son employée, rien dans le film ne semble montrer autre chose.
Ce qui est le plus bizarre est le fait que le casting semble avoir été modifié que récemment...
Plus je vois de bandes annonces, plus j'ai envie de voir le film Certes, on y voit quelques éléments, mais en fait, ça me rend plus curieuse de le découvrir dans son intégralité ^^
Merci pour la nouvelle BA ^^
"La perfection faite fée c'est moi ! C'est clair que je ne maîtrise pas tout. Et en plus j'ai un petit soucis avec mes hanches..." Mais c'est INTERDIT me faire la remarque pour mes hanches car je suis légèrement susceptible... Ou pas XD "Be yourself, Everyone else is already taken."Oscar Wilde
Nouvelles images diffusées par Entertainment Weekly:
EW a écrit:
Creating Cruella: Behind the seams of the high-fashion film's punk rock look
Director Craig Gillespie, costume designer Jenny Beavan, and production designer Fiona Crombie break down the wicked glamour of the Disney villainess origin story.
By Mary Sollosi - April 20, 2021
Fashion isn't just a job, it's a lifestyle. As everyone who's heard of Cruella de Vil knows, a commitment to nailing the perfect outfit can lead to mass puppy murder, at best (prison at worst). So when I, Tonya director Craig Gillespie took the helm of Cruella (out May 28), the live-action origin story for the viciously stylish 101 Dalmatians villainess, he took the look seriously.
"We're in a fashion world," he tells EW of the film, which stars Emma Stone in the title role, a young nobody with designer dreams. "That made it much more complicated, because everybody's going to have their fashion lens on as well. [We] run the risk of it taking you out of the film if you're not buying what they're selling."
That meant Oscar-winning costume designer Jenny Beavan (A Room with a View, Mad Max: Fury Road) couldn't merely make expressive costumes — they also had to double as gorgeous, covetable fashion.
Luckily, there was no shortage of edgy glamour to mine from the 1970s London setting, which "immediately set a tone" for the overall look of the film, says production designer Fiona Crombie (The Favourite). "This story has heightened elements to it, but it needed a real sense of location." The team grounded Cruella in seedy, pre-gentrification Notting Hill and the nascent London punk scene; Gillespie and Beavan cite the iconic designer Vivienne Westwood, who dressed the Sex Pistols, and the subversive label BodyMap as inspiration.
From this world emerges Cruella — a rebel who challenges the fashion establishment in the form of the Baroness von Hellman (Emma Thompson), whose aesthetic was loosely inspired by Dior: "By [the '70s] she's slightly old-fashioned," Beavan explains. The rival designers' conflict, ever escalating in high stakes and high style, is "the most delicious part of the film," Gillespie promises. Because fashion isn't just an art form. It's a weapon.
RED DE VIL Early in her process, Beavan scoured "every vintage store in London, and then in New York, and then again in L.A.," collecting piles of items for Stone to try on in different combinations. She didn't end up using most of the things she bought as actual costume pieces, but the practice provided inspiration for Cruella's eventual look — as well as the character's own design sensibility. In the film, Cruella recuts a vintage Baroness piece to make this dress. Aligning with both a punk DIY approach and modern sustainability efforts, "I thought [using found clothing] would be part of her ethic," says Beavan. Inspired by Charles James' "Tree" dress, the careful twisting on the bodice "took some time, let me tell you!"
VILLAIN IN TRAINING "It's quite clear in the story how [Cruella] develops, so you've got a good arc to her life in clothes," says Beavan, who maps out the evolution of a deranged fashionista through her design choices. As young Estella, her wardrobe is softer and more deconstructed, but "as she becomes crueler and Cruella-er, she becomes sharper and more tailored."
ON HER SHOULDERS "The 1970s is a period I actually remember the first time round, so that was sort of helpful," says Beavan, who Gillespie says was tasked with making the film's fashion "of the time, but in some way also current." This silhouette, of a fitted jacket atop a full skirt (plus Doc Martens), has "never gone away," Beavan observes appreciatively. In keeping with the general spirit of anarchy, the military jacket's epaulets are piled with figurines: "There's a whole world on that shoulder!"
HIGH SOCIETY "You have to remember, even though she's evil, she's a very, very good designer," Beavan notes of Thompson's Baroness, whose more refined aesthetic — of which asymmetry is a hallmark — was intentionally made very distinct from Cruella's. Their preferred palettes differ significantly, too; where red is our antiheroine's signature color, her nemesis appears primarily in browns, greens, and golds (though she's pictured here at a black-and-white ball).
MOTO DREAMS Nothing ruins a bold entrance like a drab outfit, so this look needed to be as thrillingly disruptive as Cruella's arrival (on a motorcycle, naturally) when she wears it. Worked into Stone's makeup is a recurring motif that appears throughout her wardrobe: "The graffiti element is important," Beavan says. Badass.
SEEING SPOTS With this look, Beavan paid "a slight homage to [the] Glenn Close Cruella, but it was our version." Worn at a climactic fashion show — one of Cruella's "fashion bomb" moments, as Gillespie enigmatically calls the scenes featuring her most show-stopping looks — this coat incorporates the print that has previously defined the character: Dalmatian spots. The film illustrates the origin of Cruella's obsession with the unique fur, but rest assured, this textile "was completely fake, printed by our printing department," Beavan says. "No animals were harmed in the making of this major motion picture!"
Cruella hits theaters and Disney+ Premier Access on May 28.
Source : Creating Cruella: Behind the seams of the high-fashion film's punk rock look
Thumper, Lolo88, L'Oncle Walt, Brozen et Pixie Tinkerbell aiment ce message
Pour celles/ceux qui adorent la mode, ce film est tout simplement une jouissance visuelle ! Les photos font saliver alors le film doit être une explosion de beauté, montrez nous le film s'il vous plait
La fin de l'article d'Entertainment Weekly annonce que le film présente les débuts de l'attirance de Cruella pour la fourrure, même si les fourrures du film seront toutes fausses.
La fin de l'article d'Entertainment Weekly annonce que le film présente les débuts de l'attirance de Cruella pour la fourrure, même si les fourrures du film seront toutes fausses.
Je vais pas m'en plaindre je suis contre la fourrure
Avec une telle durée, on devrait pouvoir en apprendre beaucoup sur Cruella. Ce devrait être très intéressant Et les tenues sont les reflets parfait de la personnalité de Cruella ^^
"La perfection faite fée c'est moi ! C'est clair que je ne maîtrise pas tout. Et en plus j'ai un petit soucis avec mes hanches..." Mais c'est INTERDIT me faire la remarque pour mes hanches car je suis légèrement susceptible... Ou pas XD "Be yourself, Everyone else is already taken."Oscar Wilde
Voilà ce qui s'appelle « faire une entrée fracassante » Comme Disney ne peut pas la montrer en train de fumer, autant laisser passer une autre addiction bien répandue.
Un aperçu de l'enfance de Cruella :
MD35, Flounder69, L'Oncle Walt et Pixie Tinkerbell aiment ce message
Même si le film est classé PG-13, il y a tout de même une alerte "some violence and thematic elements." Certains spots (comme dans le dernier partagé par @Rwo) allant plus loin en annonçant que certaines scènes peuvent être trop intenses pour public jeune.
Même si le film est classé PG-13, il y a tout de même une alerte "some violence and thematic elements." Certains spots (comme dans le dernier partagé par @Rwo) allant plus loin en annonçant que certaines scènes peuvent être trop intenses pour public jeune.
Ce n'est pas pour me déplaire . On parle tout de même d'une des méchantes les plus emblématiques de l'histoire du cinéma.
Ravi de constater que Disney prend des risques... en espérant que le résultat final soit à la hauteur de mes attentes.
Ouaih enfin je vous rappelle que n'importe quel Marvel ou Star Wars est PG-13. La classification US, c'est pas vraiment la panacée pour connaître la réelle "violence" d'un film.
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Lun 12 Avr 2021 - 11:27
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Mes comics!!! 
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. On parle tout de même d'une des méchantes les plus emblématiques de l'histoire du cinéma. 
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